- How bloggers get started?
- How long should a review be?
- Which blogs do the bloggers read?
- How long do bloggers spend blogging?
- Why it’s not always about the big hit shows.
Hi Libby and thanks for sharing your expertise. When did you start writing a blog?
I started theatrecat when I was sacked from the job of Times Chief Theatre Critic in autumn 2013, due to a change of editor. I had so many mournful responses from readers, theatres and people involved saying “carry on, we like your reviews because they’re informative and readable, and there are ever fewer broadsheet ones..”
How much of your time do you spend on blogging?
I work overnight after each play as a rule – maybe 4 / 5 a week. I don’t “blog” in the chatty long-feature sense, simply write reviews to a broadsheet length (rarely over 500 words) and stick to the embargoes, credits, sponsor acknowledgments for theatres, etc, trying to be as like a quality newspaper as possible. I don’t do interviews, news, anything like that. I just tweet when a new review’s up, and people can subscribe on email to get them automatically. When I am busy elsewhere or away, I have a few “theatrekittens” who are young and bright and kindly replace me…also I sometimes delegate when I know I can’t get to a play, or have too strong an idiosyncratic negative view about the author… I feel one should be fair.
Which other theatre blogs do you read?
Whatsonstage, Shentonstage, others at random!
Have you turned your blog into a profitable business or do you write it for just for fun?
It’s not about the money, but the awareness and stimulus feeds into my other writing, including a forthcoming book on theatre and its critics.
What advice can you offer someone who is thinking of starting a theatre blog?
Keep your reviews shortish and not boring, don’t think of yourself as some sort of godlike judge, rather as a reporter, and if you MUST break embargoes by going to early previews, admit it and make allowances.
Which show is your guilty pleasure?
Last year it was Gypsy with Imelda Staunton which I saw no less than three times. And I do love cabaret / burlesque / circus. But they’re all pleasures, from RSC to the rattiest pub backroom… Have had as great a thrill in tiny humble venues as at any big splashy musical
If you could have dinner with any actor, living or dead, who would you choose and why?
Simon Russell Beale!!! Though actually I already did, once, when interviewing. But I like a lot of actors personally. I think what they do is astonishing, and valuable, and often very honest.
What are your thoughts on mobile phones in theatres?
There are electronic jamming systems, but small theatres shouldn’t have to {resort to that}. I think if anyone is deliberately using one they should probably be asked to leave. Sudden ringtones rapidly quelled by embarrassed owners, not too bad a crime.

Libby Purves hosts Midweek on BBC Radio 4. She has written 10 novels including One Summer’s Grace and was the first person to broadcast live from Beijing when she hosted Today there in 1978. Previously chief theatre critic of the Times, she now runs the online review site Theatrecat.