Expectation in the Theatre can be a dangerous thing: The Dresser, Sir Ronald Harwood’s stage masterpiece is often cited as one of Theatre’s great works and while Sean Foley’s direction is accomplished, there are just a few moments when The Dresser, like “Sir” himself, shows its age.
Tim Minchin has another massive hit on his hands according to West End critics who are heaping praise and five star reviews upon Groundhog Day. The musical, based on a classic 90s movie has just had its Press Night at the Old Vic Theatre and looks set to take the West End, Broadway and then the world by storm.
The show reunites Matilda composer/lyricist
We got kinky with Kinky Boots! Plus, we have a NO BOOKING fee offer for you to get kinky […]
I approached Aladdin, the latest offering from Disney Theatrical with a sense of excitement and trepidation. Could Disney recreate the magic of the film on stage without losing the magic and wonder? Could The Genie live up to the phenomenal performance of Robin Williams and a team of Disney’s finest animators? Would Aladdin trump the Lion King?
I bought tickets to Sunset Boulevard with a sense of both excitement and dread: How could this possibly live up to the hype? Could Glenn Close still sing? Having had the privilege to see Glenn in 2002 at the National Theatre in A Streetcar Named Desire, and having Sunset Boulevard as one of my favourite scores, I was worried I might just be expecting, well, too much?
Following a hugely successful run at the National Theatre, Headlong Theatre’s gritty, bleak and darkly funny tale of addiction and redemption as seen through the eyes of actress Emma has now moved to the Wyndham’s Theatre. The reviews are in – so what did the critics think of the show’s West End transfer?
Chris Bennion for The Telegraph said Denise Gough’s Emma was
Following a dazzling Press Night on Tuesday 8th March 2016 in the presence of soul legend Smokey Robinson and Mr Motown himself Berry Gordy, the reviews are in! So what did the critics think of the show?
Britishtheatre.com’s Douglas Mayo called Motown:
It’s London, 1937, and recently widowed Laura Henderson just bought a theatre. Mrs Henderson Presents premiered in 2015 at the Theatre Royal Bath and now transfers to the West End’s Noel Coward Theatre. I snuck in during London previews a few days before press night to see if everything was tickety-boo.
I approached Grey Gardens aware of its 10 Tony Award nominations. That it has taken 10 years to […]
“One sees something new every time one looks at truly beautiful things.”
There is a crackle of electricity as the house lights dim in the Noel Coward Theatre. London has waited 16 years for the return of one of the greatest stars of Hollywood’s nineties and noughties. This Oscar Winning Best Actress has that rarest of things – genuine star quality – and the starkness of the contrast between Kidman’s radiance
Jaw dropping high octane male burlesque Age guidance: Suitable for adults only After a dazzling sell-out run in 2014, the all-male burlesque phenomenon Briefs returns this summer for a fourth time to London Wonderground. Hosted by Shivannah (Fez Faanana), a feisty antipodean drag queen, the fun starts even before you walk in to the fabulously big topped Spiegeltent currently sandwiched between the Royal Festival Hall and London Eye. There can’t be too many places you can sup a pre-show glass of Prosecco sitting in a fairground waltzer eyeballing a nearly naked male burleque dancer, can there? This is one theatrical soiree you really do want to arrive at early – when they call you, get in line fast to get the very best of the unreserved seating.
Of the many great show business names synonymous with London’s iconic Palladium, there is none so legendary as Frank Sinatra. Sinatra: The Man and his Music brings Ol’ Blue Eyes back using rare footage – to the stage where he first performed 65 years ago.
The Importance of Being Earnest
A trivial comedy for serious people
Review – Niall R Palmer
When Nimax Theatres announced way back in early 2014 that David Suchet would be playing perhaps the grandest of Oscar Wilde’s great harridans, Lady Bracknell, surprisingly few plucked eyebrows were raised. The definitive Poirot and RSC/NT regular Suchet is a gifted and highly respected actor, and most were sure his feet would easily fit heels filled by the likes of Dames Judi Dench, Edith Evans and Maggie Smith. The fact that they don’t is a crime-de-théâtre that Poirot himself might struggle to solve.
From Females to She-males and from Queens of Carthage to Queens of the Desert, The West-End and Broadway both have long lived love affairs with not-to-be-messed-with women who’ve been pushed just that bit too far. Let’s face it, if you’d been left to raise a child in a warzone by a bloke who married you in a fake wedding and then dumped you for a helicopter before the interval, or had to sell your hair to pay for medicine for your French daughter and then had to spend the whole of Act Two making ghost noises behind a curtain, you’d be pretty hacked off too.
From the big and ballsy (think Hairspray’s Edna Turnblad or Chicago’s murderous Roxie & Velma) to the emotionally over-wrought (Sunset Boulevard’s Norma Desmond or Miss Saigon’s Kim), it’s tough to pick our favourite Woman on the Verge – the type of terrifying leading lady you might love to watch from the safety of the Dress Circle, but definitely wouldn’t want to leave alone with your kids.
Originally posted on Global Siblings:
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