Review: Even Singing Sisters can’t save this Sideshow ✩✩

They say bad things happen in threes – and that was certainly true in 1997, when Broadway audiences were subjected to the sinking of Titanic, Jekyll mutating into Hyde and Siamese Twins Daisy and Violet Hilton stuck together like glue in Sideshow. Since then, there have been numerous resurfacings for Titanic and David Hasselhoff has…

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The Dresser Review ✩✩✩✩: Reece Shearsmith shines in a cross-dressing classic

Expectation in the Theatre can be a dangerous thing: The Dresser, Sir Ronald Harwood’s stage masterpiece is often cited as one of Theatre’s great works and while Sean Foley’s direction is accomplished, there are just a few moments when The Dresser, like “Sir” himself, shows its age.

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Groundhog Day Hits Gold with 5* Reviews

Tim Minchin has another massive hit on his hands according to West End critics who are heaping praise and five star reviews upon Groundhog Day. The musical, based on a classic 90s movie has just had its Press Night at the Old Vic Theatre and looks set to take the West End, Broadway and then the world by storm. The…

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We got kinky with Kinky Boots!

We got kinky with Kinky Boots! Plus, we have a NO BOOKING fee offer for you to get kinky too! Do NOT miss! ABOUT The story was first filmed in 2005, starring Oscar® nominated actor Chiwetel Ejiofor. It was then brought to London in September 2015 as a musical with direction and choreography by two-time Tony® Award-winner Jerry Mitchell and…

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Aladdin: Diamond in the Rough is a Royal Romp!

I approached Aladdin, the latest offering from Disney Theatrical with a sense of excitement and trepidation. Could Disney recreate the magic of the film on stage without losing the magic and wonder? Could The Genie live up to the phenomenal performance of Robin Williams and a team of Disney’s finest animators? Would Aladdin trump the Lion…

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Sunset Boulevard Pre-Opening Night Review: Norma, Nudity, and a very “Un-London” reaction

I bought tickets to Sunset Boulevard with a sense of both excitement and dread: How could this possibly live up to the hype? Could Glenn Close still sing? Having had the privilege to see Glenn in 2002 at the National Theatre in A Streetcar Named Desire, and having Sunset Boulevard as one of my favourite…

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People, Places and Things – The Reviews

Following a hugely successful run at the National Theatre, Headlong Theatre’s gritty, bleak and darkly funny tale of addiction and redemption as seen through the eyes of actress Emma has now moved to the Wyndham’s Theatre. The reviews are in – so what did the critics think of the show’s West End transfer? Chris Bennion…

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The Painkiller Review – Five Star Farce Majeure

The set-up is simple: Two adjoining hotel rooms are occupied by a professional hit-man and a suicidal husband. There’s also an adjoining door. It’s the kind of conceit which lends itself so perfectly to farce and director Sean Foley milks every last drop of humour from the situation.

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Motown The Musical – The Reviews

Following a dazzling Press Night on Tuesday 8th March 2016 in the presence of soul legend Smokey Robinson and Mr Motown himself Berry Gordy, the reviews are in! So what did the critics think of the show? Britishtheatre.com’s Douglas Mayo called Motown:

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Mrs Henderson Presents – Flawed, naked and oh so British

It’s London, 1937, and recently widowed Laura Henderson just bought a theatre. Mrs Henderson Presents premiered in 2015 at the Theatre Royal Bath and now transfers to the West End’s Noel Coward Theatre. I snuck in during London previews a few days before press night to see if everything was tickety-boo.

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Review: Grey Gardens at the Southwark Playhouse

I approached Grey Gardens aware of its 10 Tony Award nominations. That it has taken 10 years to find a London home was a concern. Would this tale of two frankly batty old American socialites fallen into squalor on a Long Island estate in the East Hamptons even make sense to a British audience? I’m…

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Photograph 51: Our review

“One sees something new every time one looks at truly beautiful things.” There is a crackle of electricity as the house lights dim in the Noel Coward Theatre. London has waited 16 years for the return of one of the greatest stars of Hollywood’s nineties and noughties. This Oscar Winning Best Actress has that rarest…

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Briefs (London Wonderground) – Theatre Review

Jaw dropping high octane male burlesque Age guidance: Suitable for adults only After a dazzling sell-out run in 2014, the all-male burlesque phenomenon Briefs returns this summer for a fourth time to London Wonderground. Hosted by Shivannah (Fez Faanana), a feisty antipodean drag queen, the fun starts even before you walk in to the fabulously…

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Sinatra: The Man and his Music – Theatre Review

Of the many great show business names synonymous with London’s iconic Palladium, there is none so legendary as Frank Sinatra. Sinatra: The Man and his Music brings Ol’ Blue Eyes back using rare footage – to the stage where he first performed 65 years ago.

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The Importance of Being Earnest – Vaudeville Theatre Review

The Importance of Being Earnest A trivial comedy for serious people Vaudeville Theatre Review – Niall R Palmer Book Tickets When Nimax Theatres announced way back in early 2014 that David Suchet would be playing perhaps the grandest of Oscar Wilde’s great harridans, Lady Bracknell, surprisingly few plucked eyebrows were raised. The definitive Poirot and…

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The West End’s Scariest Leading Ladies

From Females to She-males and from Queens of Carthage to Queens of the Desert, The West-End and Broadway both have long lived love affairs with not-to-be-messed-with women who’ve been pushed just that bit too far. Let’s face it, if you’d been left to raise a child in a warzone by a bloke who married you…

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Memphis -Review, 5 November 2014

From the first moment Beverley Knight slinks an elegantly turned ankle on to the stage of the Shaftesbury theatre, Memphis the Musical pulsates with mesmeric star quality. A Soul career has prepared Beverley well – holding the audience in rapt thrall at every note. Yet more than that, her recent leading lady status in The…

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Gypsy – Chichester Festival Theatre

Theatrepaws review, 26 October 2014 “You Gotta Get a Ticket”. When Imelda Staunton battles onto the Chichester Festival stage, you could be forgiven for at first feeling underwhelmed. Rose Hovick (Momma Rose) is drab, diminutive and like the apartment in which she later performs her opening number (Some People), a little dowdy. Less Ethel Merman,…

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Rome wasn’t built in a day. But Dagenham Definitely was.

That opening gag sets the tone for this brand new musical, which could have been a finely tuned Ford Capri but coughs, splutters and stalls at something between a Cortina and a hover-mower. Like an old banger, occasionally the jokes backfire. There are redeeming features – Gemma Arterton is likeable enough as trailblazing seamstress Rita…

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