PANTOMIME: UNCOVERED – PART TWO

In Pantomime: Uncovered – Part One, we met the Grand Dame of Panto, Christopher Biggins. Most big Pantomimes rely on “names” – in this case Biggins and David Hasselhoff – to pull in the crowds. But panto is a big beast, and each show only as good as the whole of the cast and crew, who work their collective socks off to make the whole experience sheer and utter magic. For every big name Dame, there’s a Tinkerbell just starting out, or a Wishy Washy with years of tumble-drying behind them.

Every Captain Hook needs a great first mate: Hailing from Torquay, Steve Laister plays Starkey, sidekick to David Hasselhoff’s Seafaring Pirate. Fortunately for us, Steve will do anything for a Slush Puppy….including an impromptu interview!

The Comedy Relief

"Slush Puppy for Mister Starkey?"
“Slush Puppy for Mister Starkey?” – Curtis Bannister-Pond at the Theatre Shop…

So Steve…what first got you into Showbusiness?

“A bet!”

Really?

“Yep. I was a semi-professional snooker player and the snooker lads bet me a coke that I wouldn’t enter a talent show. So I did…”

Is this is your first panto?

“Qdos have asked me for about five years to do it, and I always said no. I gave in this y

PANTOMIME: UNCOVERED – PART ONE

FEATURING AN INTERVIEW WITH THE GRANDEST OF DAMES, CHRISTOPHER BIGGINS

Christopher Biggins prepares for another pantomime...
Theatre Legend Christopher Biggins: Star of Chitty Chitty Bang Bang, The Rocky Horror Picture Show, Jesus Christ Superstar…and nearly 40 pantomimes.

Hop aboard the magic carpet, step up into the golden carriage, and cry “anchors aweigh”  as we transport you through the Stage Door into the magical world of Pantomime.

Batboy: It’s a BEAST of a show

Rob Compton as Bat Boy
Rob Compton as the eponymous Bat Boy

Meeting Luke Fredericks – currently directing Batboy which begins previews at the Southwark Playhouse tonight, 9th January 2015 – is unforgettable. Full of energy and passion, it’s a privilege to meet this ebullient young director, whose recent production of Carousel, New York Times critic Ben Brantley described as