With just over 48 hours to go until the 2015 Olivier Awards, we meet the amazing woman who keeps Awards Day running like clockwork. From Kids Week to West End Live, Emma De Souza truly is the West End’s Wonder Woman.
Hi Emma. Thanks for meeting us at such a busy time. Tell us all about your role in the Olivier Awards!
My title is Producer of Red Carpet and Media – in a nutshell that means
From Females to She-males and from Queens of Carthage to Queens of the Desert, The West-End and Broadway both have long lived love affairs with not-to-be-messed-with women who’ve been pushed just that bit too far. Let’s face it, if you’d been left to raise a child in a warzone by a bloke who married you in a fake wedding and then dumped you for a helicopter before the interval, or had to sell your hair to pay for medicine for your French daughter and then had to spend the whole of Act Two making ghost noises behind a curtain, you’d be pretty hacked off too.
From the big and ballsy (think Hairspray’s Edna Turnblad or Chicago’s murderous Roxie & Velma) to the emotionally over-wrought (Sunset Boulevard’s Norma Desmond or Miss Saigon’s Kim), it’s tough to pick our favourite Woman on the Verge – the type of terrifying leading lady you might love to watch from the safety of the Dress Circle, but definitely wouldn’t want to leave alone with your kids.
In the second part of our two part interview with Anthony Drewe , we talk more to this versatile Actor, Director, Writer and Artist about his work with George Stiles on musicals like Mary Poppins, Peter Pan and Travels with My Aunt, work-shopping Soap Dish with Kristin Chenoweth, writing with Downton Abbey creator Lord Julian Fellowes and spending time in LA with Steven Spielberg.
Anthony, thanks again for giving us so much of your time. Your diary must be pretty full – how do you find time to see new productions of your shows?
I remember when we adapted Peter Pan, the show was
In the week that Disney and Cameron Mackintosh announced a new UK & Ireland tour of Mary Poppins, I met with the show’s talented lyricist, Anthony Drewe. Anthony and his writing partner George Stiles are best known for their musicals Just So, Honk! and Betty Blue Eyes as well as additional songs for the hugely successful stage version of Mary Poppins. Yet there is an awful lot more to this versatile actor, director, writer and artist and while the tea infuses, we chat about everything from Spielberg to Sondheim.
Stiles & Drewe are synonymous with British Musical Theatre. How did you and George first meet?