They’ve booked the venue They’ve bought the costumes. There’s just one problem. They’ve forgotten to cast any actors. […]
This week we met the enchanting Gemma Sutton who has been wowing audiences in hit West End show Gyspy as Rose’s daughter June and now takes over from Lara Pulver in the role of Louise, a character who undergoes a chrysalis-like transformation to become the complex and eponymous Gypsy.
There’s still time to catch Chichester Festival Theatre’s jaw-dropping West End transfer of possibly the greatest of all American Musical, Gypsy. The show is booking until 28th November at the Savoy Theatre and features music by Jule Styne, lyrics by Stephen Sondheim and a book by Arthur Laurents.
Hi Gemma. You’ve been playing June since Gypsy started – when did you take over the role of Louise?
Fancy rubbing shoulder-pads with Norma Desmond or helping Oliver Thornton out of his Basque? When Tiffany Graves, star of Chicago and The Producers gave us her “leading lady” list of the West End’s most interesting characters, one name was at the very top. Murray Lane has been dressing the biggest stars in the West End for three decadent decades, and we’re thrilled to say that he’s agreed to share his dressing room secrets and tales from the theatrical closet with us. In this two part interview, we meet the man who knows Patti LuPone, Elaine Paige and a host of West End stars very intimately indeed!
Hi Murray – let’s start at the very beginning – how long have you been a dresser?
Like pubs, the Royal Family and cheese rolling, Kenneth Branagh is one of Britain’s greatest phenomena. Hollywood loves him, and so have a succession of incredibly talented and high-flying British women.
So, what is it about our Ken that attracts the likes of Emma Thompson and Dame Judi Dench to love and
From Females to She-males and from Queens of Carthage to Queens of the Desert, The West-End and Broadway both have long lived love affairs with not-to-be-messed-with women who’ve been pushed just that bit too far. Let’s face it, if you’d been left to raise a child in a warzone by a bloke who married you in a fake wedding and then dumped you for a helicopter before the interval, or had to sell your hair to pay for medicine for your French daughter and then had to spend the whole of Act Two making ghost noises behind a curtain, you’d be pretty hacked off too.
From the big and ballsy (think Hairspray’s Edna Turnblad or Chicago’s murderous Roxie & Velma) to the emotionally over-wrought (Sunset Boulevard’s Norma Desmond or Miss Saigon’s Kim), it’s tough to pick our favourite Woman on the Verge – the type of terrifying leading lady you might love to watch from the safety of the Dress Circle, but definitely wouldn’t want to leave alone with your kids.
Theatrepaws review, 26 October 2014 “You Gotta Get a Ticket”. When Imelda Staunton battles onto the Chichester Festival […]