If you love your musicals Christmassy and camp, pop on a scarf and head south to Stockwell, where a passionate group of amateur performers is taking on Alan Menken’s A Christmas Carol at South London’s lovely Lost Theatre.

This Christmas Carol may not stick faithfully to the spirit of the original story, and the tunes may not be from Menken’s top drawer, but this version, with a book by Mike Ockrent and Lynn Ahrens (who also wrote the lyrics), does have an undeniable – if schmaltzy – charm.

“Overtures are out of style now. I miss them. It’s the show’s way of welcoming you.” The Drowsy Chaperone.

The Drowsy Chaperone’s Man in the Chair had a point. Overtures may have somewhat fallen out of favour, but they serve an important purpose – allowing the audience to settle, sweets to be unwrapped and, most important of all, to introduce the audience to the show’s musical themes; a little amuse bouche to whet the appetite before the main course arrives.

So which is your favourite overture? Vote below